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Tampon Lollipops
by
Skinless
on
Progression Towards Evil
()
uses sample from
"impossible to find Penthouse Forum audio disk"
(Antonio Adamo,
):
She didn't have legs! I guess Jerry had remembered that my ultimate fantasy was to fuck a girl with no legs! Jerry started feeling up her big tits, and slowly rotated Audrey around on my love muscle until she was literally spinin' on my dick like a record on a turntable. Unable to contain myself any longer, I unloaded a huge load of spunk into her.
The Tune
by
Wax Tailor
on
Hope & Sorrow
()
uses sample from
Shadow of a Doubt
(Alfred Hitchcock,
):
"Sometimes i get a tune in my head like that and pretty soon i hear somebody humming it too" "I remember, it's on the tip of my tongue" "I can't get that tune out of my head" "I think tunes jump from head to head"
Blessed Be
by
Entombed
on
Clandestine
()
uses sample from
Rope
(Alfred Hitchcock,
):
"Go ahead and look. I hope you like what you see."
Que sera
by
Wax Tailor
on
Tales of the Forgotten Melodies
()
uses sample from
The Man Who Knew Too Much
(Alfred Hitchcock,
):
"A record of the delightful piece they're going to play this evening" "Que sera"
Hollow Heart
by
Angelmaker
on
Angelmaker
()
uses sample from
Psycho
(Alfred Hitchcock,
):
I think that we’re all in our private traps, clamped in them, and none of us can ever get out. We scratch and we claw, but only at the air, only at each other, and for all of it, we never budge an inch.
The Prisoner
by
Iron Maiden
on
The Number of the Beast (2015 Remaster)
()
uses sample from
The Prisoner
(Andreas Dresen,
):
We want information. Information. Information.
-Who are you?
-The new number 2.
-Who is number 1?
-You are number 6
-I am not a number! I'm a free man!
-AHAHAHAHAH!
Red Web
by
Orange Goblin
on
Coup De Grace
()
uses sample from
The Night of the Living Dead
(George A. Romero,
):
It has been established that persons who have recently died have been returning to life and committing acts of murder.
Le Pudding
by
Léo le bug
on
Le Pudding à l'Arsenic
()
uses sample from
Astérix et Cléopâtre
(Alain Chabat,
):
- Dans un petit plat à part
Tiédir du sang de lézard
La valeur d'un dé à coudre
- Et un peu de sucre en poudre !
- Non !
Le pudding à l'arsenic
Nous permet ce pronostic
Demain sur les bords du Nil
Que mangeront les crocodiles ?
Des gaulois !
Endstille
by
Aborted
on
Global Flatline (Bonus Track Version)
()
uses sample from
Night of the Living Dead
(George A. Romero,
):
Mid-song :
Newscaster: Reports, incredible as they may seem, are not the results of mass hysteria.
Harry: "Mass hysteria?" What do they think, we're imagining all this?
Radio Newscaster : In all parts of the country, the wave of murder which is sweeping the eastern third of the nation is being committed by creatures who feast upon the flesh of their victims.
Scorched Earth
by
Gutrectomy
on
Manifestation of Human Suffering
()
uses sample from
Night of the Living Dead
(George A. Romero,
):
It seems to be a sudden general explosion of mass homicide.
The Filthy & the Few
by
Orange Goblin
on
A Eulogy for the Damned
()
uses sample from
Satan's Sadists
(Al Adamson,
):
You're right, I am a rotten bastard. I admit it. But I tell ya something. Even though I got a lot of hate inside, I got some friends who ain't got hate inside. They're filled with nothing but love. Their only crime is growing their hair long, smoking a little grass and getting high, looking at the stars at night, writing poetry in the sand. And what do you do? You bust down their doors, man. Dumb-ass cop. You bust down their doors and you bust down their heads
The Hawthorne Passage
by
Agalloch
on
The Mantle
()
uses sample from
Fando y Lis
(Alejandro Jodorowsky,
):
[Lis:]
Yo moriré
Y nadie se acordará de mí...
...yo moriré
Y nadie se acordará de mí...
De mí
[Lis' Father:]
Sí Lis
Yo me acordaré de ti
E iré a verte al cementerio con una flor
Y un perro
Y en tu funeral cantaré
En voz baja
"¡Qué bonito es un entierro!"
Vicious Act Of Machismo
by
Meat Shits
on
Violence Against Feminist Cunts
()
uses sample from
La Noche Del Terror Ciego
(Amando de Ossorio,
):
- Are you playing with me?
- I don't think you understand.
- Why not?
- Uh, you see, Pedro, I don't have feelings for any man.
- You mean you never really loved?
- I mean, I had a bad experience when I was a child
- I'll help you change...
- Oh! No! No, please, no!
Postumat
by
Stamp
on
Posthuman
()
uses sample from
The Holy Mountain
(Alejandro Jodorowsky,
):
I promised you the great secret and I will not disappoint you.
Is this the end of our adventure?
Nothing has an end.
We came in search of the secret of immortality.
To be like gods.
And here we are... mortals. More human than ever.
If we have not obtained immortality, at least we have obtained reality.
We began in a fairy tale and we came to life!
But is this life reality?
Never Compromise
by
Illdisposed
on
Sense the Darkness
()
uses sample from
Strømer
(Anders Refn,
):
- det har jeg jo sagt for fanden, jeg aner ikke hvem den mand han er overhoved,.. i får mig ikke til at sige en skid, om i så tager mig med på stationen og tæsker mig, det rager mig en skid.
- Sådan noget det gør vi ikke, selvom vi nogle gange har lyst til det.
Cock Rock Faggots
by
Meat Shits
on
Ecstasy of Death
()
uses sample from
Midnight Express
(Alan Parker,
):
You seem like a nice enough kid to me Billy, but try it and I'll blow your fucking brains out
Zombie Apocalypse
by
Mortician
on
Hacked up for Barbeque/ Zombie Apocalypse
()
uses sample from
Dawn Of The Dead
(George A. Romero,
):
"They're after us. They know we're still in here." "They're after the place. They don't know why, they just remember. They remember that they want to be in here." "What the hell are they?" "They're us, that's all. There's no more room in Hell." "What?" "Something my granddaddy used to tell us. You know Mokumba? Voodoo. Granddad was a priest in Trinidad. Used to tell us, when there's no more room in Hell, the dead will walk the earth."
Waiting for the Milenium
by
Cephalic Carnage
on
Conforming to Abnormality
()
uses sample from
Up in Smoke
(Lou Adler,
):
Well, I guess that about wraps it up. Any questions?
Festering Fungus Infection
by
Last Days of Humanity
on
The Sound of Rancid Juices Sloshing around your Coffin
()
uses sample from
Faces of Death
(John Alan Schwartz,
):
The counting of time
is considered a crime.
And the money one earns
not worth a lone dime.
So here they will lie
for the rest of the night.
Their bodies remain still
in darkness and in light.
But don't be afraid
for it will happen to you.
When all will stop
as your body turns blue.
My Mind Bleeds Tragedies
by
Mortal Decay
on
Forensic
()
uses sample from
Faces of Death
(John Alan Schwartz,
):
Not all death can be identified through autopsies
If the Forenisc Pathologist is still unsure of the cause
Technology intervenes
Eyes of Abomination
by
Malodorous
on
Amaranthine Redolence
()
uses sample from
Faces of Death
(John Alan Schwartz,
):
I had heard rumors about their ceremony. They believed the power of everlasting life was found in the internal organs of the dead.
Contagium
by
Putrified J
on
The Last Harvest
()
uses sample from
Dawn of the Dead
(George A. Romero,
):
When there's no more room in hell, the dead will walk the Earth.
Malignant Germination
by
Morbific
on
Squirm Beyond the Mortal Realm
()
uses sample from
Faces of Death
(John Alan Schwartz,
):
In a world with no sound
their cries go unheard.
The reality of life
becomes totally absurd.
The counting of time
is considered a crime.
And the money one earns
not worth a lone dime.
So here they will lie
for the rest of the night.
Their bodies remain still
in darkness and in light.
But don't be afraid
for it will happen to you.
When all will stop
as your body turns blue.
Driller Killer
by
Mortician
on
House By the Cemetary / Mortal Massacre
()
uses sample from
Driller Killer
(Abel Ferrara,
):
"Hey 'ole buddy! What are you doing out here tonight? Night traveler I see. Did you stop by to have a drink with me? Hey what do you got in your hand, mister? A drill! Hey, what are you, a "fix-it" man? What do you got, banker's-hours? Looks like your working 12-12, I wouldn't want that kind of job. Hehehe, I tell ya what, there's no job in the world that I know worth getting out of bed in the morning for... And I know something else that's good for jobs that gives you pain in the neck, this good 'ole bottle right here... Have a drink, buddy? Hey c'mon, mister cool it now, c'mon. We'll get excited... What do you got, problems or something? What? Do you got problems with your 'ole lady? Aww, I thought so, huh? She's taking you cross cold, giving you a hard time... Well, I tell ya, I got the same problem myself, man and I have one word of advice for you, I would..."
The Burden Is Us
by
Sorcerer
on
Pleasures
()
uses sample from
Possession
(Andrzej Żuławski,
):
"-There is nothing to fear except God, whatever that means to you.
-For me, God is a disease."
Plow
by
Buzzov•en
on
...At a Loss
()
uses sample from
Creepshow
(George A. Romero,
):
I told you before, I didn't want you to read this junk! I never saw such rotten junk in my life! Where do you get this filth? Who sells it to you, anyway? I'm talking to you, young man! You wanna answer me when I'm talking to you! You remember who puts the damn bread on the table around here, don't you?
The Genesis
by
Nas
on
Illmatic
()
uses sample from
Wild Style
(Charlie Ahearn,
):
- "And you're sitting at home doing this shit?
You should be out earning a medal for this. Stop fucking around and be a man.
There ain't nothing out here for you"
- "Oh yes there is... This."
Xen
by
A Million Dead Birds Laughing
on
Xen
()
uses sample from
Die unendliche Geschichte
(Adam Weissman,
):
Atreyu: - There's a terrible nothing sweeping over the land. Don't you care about that? !
Morla: - We don't even care whether on not we care.
Hate
by
Impaled Nazarene
on
Ugra Karma
()
uses sample from
The Name Of The Rose
(Jean-Jacques Annaud,
):
'Because you were inspired by the devil?' 'Yes, that's it. I was inspired by the devil. I am inspired by the devil. I command Lucifer. I summon you, Lords of Hell. Alastor
With Satan and Victorious Weapons
by
Marduk
on
World Funeral (Reissue + Bonus)
()
uses sample from
The Name Of The Rose
(Jean-Jacques Annaud,
):
- Because you were inspired by the Devil?
- Yes. That's it. I was inspired by the Devil! I am... inspired by the DEVIL!"
In Utero: A Place of Hatred and Threat
by
Svart Crown
on
Profane
()
uses sample from
The Name Of The Rose
(Jean-Jacques Annaud,
):
My lord abbot, you invited me to investigate the presence of the evil one
Daemonium Praescentia Adorationem
by
Horns
on
Totendienst VI - Antiphonae Omnes Mortum Et Animas Infernalis
()
uses sample from
The Name Of The Rose
(Jean-Jacques Annaud,
):
There was something feminine, something diabolical about the young one who died. He had the eyes of a girl seeking intercourse with the Devil. Beware of this place! The Beast is still among us. I can sense him... now... here... within these very walls.
Life rejector
by
Deterioration
on
Punish the Betrayer
()
uses sample from
Deadly Prey
(David A. Prior,
):
[intro]
- Friend or enemy?
- I'm a friend!
- You're a liar.
[outro]
- You fucked up
Dr. Channard
by
Beborn Beton
on
Concrete Ground
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
The mind is a labyrinth, ladies and gentlemen, a puzzle. And while the paths of the brain are plainly visible, its ways deceptively apparent, its destinations are unknown. Its secrets still secret, and, if we are honest, it is the lure of the labyrinth that draws us to our chosen field. To unlock those secrets. Others have been here before us and have left us signs, but we, as explorers of the mind, must devote our lives and energies to going further. to tread the unknown corridors in order to find ultimately, the final solution. We have to see, we have to know...
Hellbound
by
Snuff
on
Reach
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
I) What's your pleasure, sir? What's your pleasure?
II) The mind is a labyrinth, ladies and gentlemen, a puzzle. And while the paths of the brain are plainly visible, its ways deceptively apparent, its destinations are unknown. Its secrets still secret, and, if we are honest, it is the lure of the labyrinth that draws us to our chosen field. To unlock those secrets. Others have been here before us and have left us signs, but we, as explorers of the mind, must devote our lives and energies to going further. to tread the unknown corridors in order to find ultimately, the final solution. We have to see, we have to know...
III) Ah, the Suffering... the sweet suffering.
Nailed Through Her Cunt
by
Aborted
on
Engineering the dead ( Re-release )
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
Your suffering will be legendary, even in Hell!
Meticulous Invagination
by
Aborted
on
Goremageddon - The Saw And The Carnage Done
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
The doctor is in
Parasitic Flesh Resection
by
Aborted
on
Goremageddon - The Saw And The Carnage Done
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
I recommend... amputation!
Apotemnophiliac
by
Pungent Stench
on
Ampeauty
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
The doctor is in... I recommend amputation.
Burial Waste
by
Putrefied
on
The Putrid Remains
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
The doctor is in... I recommend amputation
Coronary Reconstruction
by
Aborted
on
Global Flatline (Bonus Track Version)
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
Intro : No anaesthetic at hand. Shame. Surgery is open, Tiffany. What is today's agenda? Ah, yes. Evisceration.
Outro : The mind is a labyrinth, ladies and gentlemen, a puzzle. And while the paths of the brain are plainly visible, its ways, deceptively apparent, its destinations are unknown, its secrets still secrets and, if we are honest, it is the lure of the labyrinth that draws us to our chosen field to unlock those secrets.
Nailed Through her Cunt (Digipak Bonus)
by
Aborted
on
Global Flatline
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
Your suffering will be legendary, even in Hell!
Coronary Reconstruction
by
Aborted
on
Global Flatline (Bonus Track Version)
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
Intro: No anaesthetic at hand. Shame. Surgery is open, Tiffany. What is today's agenda? Ah, yes. Evisceration.
Outro: The mind is a labyrinth, ladies and gentlemen, a puzzle. And while the paths of the brain are plainly visible, its ways, deceptively apparent, its destinations are unknown, its secrets still secrets and, if we are honest, it is the lure of the labyrinth that draws us to our chosen field to unlock those secrets.
The Extirpation Agenda
by
Aborted
on
The Necrotic Manifesto
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
And to think... I hesitated.
Meticulous Invagination (Aborted cover)
by
Benighted
on
Carnivore Sublime
()
uses sample from
Hellbound: Hellraiser II
(Peter Atkins,
):
The doctor... Is in!
Punishment
by
Biohazard
on
Urban Discipline
()
uses sample from
The Punisher
(Andreas Grosch,
):
Come on god, answer me. for years I'm asking why, why are the innocent dead and the guilty alive? Where is justice? Where is punishment? Or have you already answered, have you already said to the world here is justice, here is punishment, here, in me.
World Damnation
by
Mortician
on
Final Bloodbath Session
()
uses sample from
Cyborg
(Albert Pyun,
):
First there was the collapse of civilization: anarchy, genocide, starvation. Then when it seemed things couldn't get any worse, we got the plague. The Living Death, quickly closing its fist over the entire planet. Then we heard the rumors: that the last scientists were working on a cure that would end the plague and restore the world. Restore it? Why? I like the death! I like the misery! I like this world!!
Snapped in Half
by
Waking the Cadaver
on
Real-Life Death
()
uses sample from
The Karate Kid Part III
(John G. Avildsen,
):
I'm gonna make them suffer... and suffer and suffer and when I think they've suffered enough, then I start with the pain
Next in Line
by
Nevermore
on
The Politics of Ecstasy
()
uses sample from
Jacob's Ladder
(Adrian Lyne,
):
Stop it! You're killing me!
Rain From The Core
by
Dirge
on
Down, Last Level
()
uses sample from
Jacob's Ladder
(Adrian Lyne,
):
There is no out of here. You've been killed, don't you remember?
Conquistadores
by
Misery Index
on
Discordia
()
uses sample from
Pump Up the Volume
(Allan Moyle,
):
Do you ever get the feeling that everything in America is completely fucked up?
Ma Force
by
S-Crew
on
Seine Zoo
()
uses sample from
Dragon Ball Z S01E137
(Akira Toriyama,
):
En tout cas ils sont très puissants, on n'peut pas dire le contraire
Ils l'ont prouvé et ils sont extrêmement rapides
J'ai sous-estimé leur force...
Amour Fou
by
Stamp
on
Posthuman
()
uses sample from
Jacob's Ladder
(Adrian Lyne,
):
Eckhart saw Hell too. He said: The only thing that burns in Hell is the part of you that won't let go of life, your memories, your attachments. They burn them all away. But they're not punishing you, he said. They're freeing your soul.
So the way he sees it, if you're frightened of dying and... and you're holding on, you'll see devils tearing your life away. But if you've made your peace, then the devils are really angels, freeing you from the earth. It's just a matter of how you look at it, that's all.
Eyemaster
by
Entombed
on
Wolverine Blues
()
uses sample from
Hellraiser III: Hell On Earth
(Anthony Hickox,
):
"I am the Way"
Suck My Energy
by
Channel Zero
on
Unsafe
()
uses sample from
Bad Lieutenant
(Abel Ferrara,
):
Vampires are lucky, they can feed on others. We gotta eat away at ourselves. We gotta eat our legs to get the energy to walk. We gotta come, so we can go. We gotta suck ourselves off. We gotta eat away at ourselves 'til there's nothing left but appetite. We give, and give and give crazy. 'Cause a gift that makes sense ain't worth it. Jesus said seventy times seven.
Two of Me
by
Grave
on
Soulless / Hating Life (re-mastered Re-issue 2003)
()
uses sample from
Hellraiser III: Hell On Earth
(Anthony Hickox,
):
"I'm here to turn up the volume"
Foul Play
by
Officium Triste
on
The Pathway
()
uses sample from
Bad Lieutenant
(Abel Ferrara,
):
"Why don't you have a little bit of fucking respect?"
Mina Olen Tie (I Am The Way)
by
Azaghal
on
Of Beasts and Vultures
()
uses sample from
Hellraiser III: Hell On Earth
(Anthony Hickox,
):
I am the Way.
...
-Oh, it's unbearable, isn't it? The suffering of strangers, the agony of friends. There is a secret song
at the centre of the world, Joey, and its sound is like razors through flesh.
-I don't believe you.
-Oh, come. Oh, you can hear its faint echo right now. I'm here to turn up the volume, to press the stinking face of humanity into the dark blood of its own secret heart.
...
Oh, I'll enjoy making you bleed.
500 dead people
by
Hatesphere
on
Ballet of the Brute
()
uses sample from
The Iceman Confessions Of A Mafia Hitman
(Arthur Ginsberg,
):
I would move Heaven and Hell and anything in between to get to you. You wouldn't be safe anywhere if I was mad at you. And that's not bull; that's truth. I've went up against people. You could pull a gun on me and if I'm mad at you I'm coming forward. You'd have to shoot me to stop me and if you don't kill me - you're stupid cause the next time you see me I will kill you.
Himmelfarts Kommando
by
Panzerchrist
on
Himmelfarts Kommando
()
uses sample from
The Iceman Confessions Of A Mafia Hitman
(Arthur Ginsberg,
):
There was a man, he was begging and pleading, and uh, and praying, I guess. He was 'Please God'-ing all over the place. So, I told him he could have a half hour to pray to God, and if God could come down and change the circumstances, He'd have that time…but God never showed up, and he never changed the circumstances.
Hollow points
by
Army of the Pharaohs
on
The Unholy Terror (Crown Jewel Edition)
()
uses sample from
The Iceman Confessions Of A Mafia Hitman
(Arthur Ginsberg,
):
I would move Heaven and Hell and anything in between to get to you. You
wouldn't be safe anywhere if I was mad at you. And that's not bull;
that's truth. I've went up against people. You could pull a gun on me
and if I'm mad at you I'm coming forward. You'd have to shoot me to stop
me and if you don't kill me - you're stupid cause the next time you see
me I will kill you.
Dissect, Molest, Ingest
by
Amputated
on
Dissect, Molest, Ingest
()
uses sample from
Hellraiser III: Hell on Earth
(Anthony Hickox,
):
Pinhead : [shouting] Don't debate with me, girl! Just come here and die while you still have the option of doing it quickly!
Likeim
by
Carpathian Forest
on
Likeim
()
uses sample from
The Iceman Confessions Of A Mafia Hitman
(Arthur Ginsberg,
):
...but God never showed up, and he never changed the circumstances. That was bad.
Addicted to Vaginal Skin
by
Cannibal Corpse
on
Tomb Of The Mutilated
()
uses sample from
Audio Cassette
(Arthur Shawcross,
):
"I don't know. I just took that knife, and I cut her from her neck down to her anus. Then I cut out her vagina and ate it."
A Unilateral Disgust
by
Skinless
on
Trample the Weak, Hurdle the Dead
()
uses sample from
Hot Shots! Part Deux
(Jim Abrahams,
):
War... it's fantastic!
Repulsive Dissection - Bonus Track
by
Putrified J
on
The Last Harvest
()
uses sample from
Hellraiser: Bloodline
(Alan Smithee,
):
Pain has a face. Allow me to show it to you. Gentlemen, I... Am... Pain.
The Technogoat
by
Anaal Nathrakh
on
The Codex Necro
()
uses sample from
Event Horizon
(Paul W. S. Anderson,
):
Libera te tutemet ex Inferis.
The dark inside me.
Liberate Me Ex Inferis
by
Aborted
on
Termination Redux - EP
()
uses sample from
Event Horizon
(Paul W.S. Anderson,
):
And now it is time to go back from where we came from. Hell is nothing. Hell is only a word. The reality is much, much worse.
Posthuman
by
Stamp
on
Posthuman
()
uses sample from
Gattaca
(Andrew Niccol,
):
Neurological condition, 60% probability, manic depression, 42% probability. Attention deficit disorder, 89% probability. Heart disorder ... 99% probability.
Consuming Void in Perennial Atrophy
by
Pathogenic Virulence
on
Submerged into Non-Existence
()
uses sample from
Event Horizon
(Paul W. S. Anderson,
):
Did you really think you could destroy this ship ? She's defied space and time. She's been to a place you couldn't possibly imagine
1999:6661:2000
by
Kataklysm
on
The Prophecy
()
uses sample from
Dark City
(Alex Proyas,
):
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they thought they had finally found what they had been searching for.
New World To See
by
Luciferion
on
The apostate
()
uses sample from
Dark City
(Alex Proyas,
):
- But I wanted to know what it was like.
How you feel.
- You know how I was supposed to feel.
That person isn't me. Never was.
You wanted to know what it was that makes us human.
Well, you're not going to find it... in here.
You went looking in the wrong place.
The Apostate
by
Luciferion
on
The apostate
()
uses sample from
Dark City
(Alex Proyas,
):
- What is to be done? This man is dangerous.
- It is said he is able to Tune.
- Impossible!
- We have seen it with our own eyes.
- On occasion, the imprinting does not take.
They behave erratically when they awaken.
We find them wandering like lost children.
But this one was different, yes?
Become Or Be Gone
by
Luciferion
on
The apostate
()
uses sample from
Dark City
(Alex Proyas,
):
- Start talking.
- There's no need for this.
There's no escape.
The city's ours. We made it.
- We fashioned this city on stolen memories.
Different eras, different pasts, all rolled into one.
Each night we revise it, refine it, in order to learn.
About you and your fellow inhabitants. What makes you human.
We need to be like you.
- What are you?
- You've seen what we are.
We use your dead as vessels.
Destroying By Will
by
Luciferion
on
The apostate
()
uses sample from
Dark City
(Alex Proyas,
):
- Where do I fit?
- You are different. You resisted attempt to imprint you.
Somehow, you have developed their ability to focus their telepathic energies.
They control everything here, even the sun.
That's why it's always dark. They can't stand the light.
- Who are they? What do they need from me?
- Well, for now, let's just say that you are the subject of their experiment.
We all are.
- Your entire history is an illusion, a fabrication,
as it is with all of us.
- They mix and match our memories as they see fit,
trying to divine what makes us unique.
- Why are they doing all this?
- It is our capacity for individuality,
our souls, that makes us different from them.
They think they'll find the human soul
if they understand how our memories work.
All they have a collective memory. They share one group mind.
They're dying, you see. Their entire race is on the brink of extinction.
Human Flesh Devourment
by
Kraanium
on
Ten Acts of Sickening Perversity
()
uses sample from
Ravenous
(Adam Fields,
):
Hart: It's lonely being a cannibal; tough making friends.
Flesh And Blood
by
Hirax
on
El Rostro De La Muerte
()
uses sample from
Enemy At The Gates
(Jean-Jacques Annaud,
):
"Soldiers of the glorious Red Army!
From now on it is either victory or death!
Those who retreat will be shot! [- I need a rifle]
There will be no mercy for cowards and traitors!"
Gucci Bodybags
by
Introvert
on
Gucci Bodybags
()
uses sample from
Unfaithful
(Adrian Lyne,
):
Edward Sumner : You fucked him over and over and over, you lied to me over and over and over.
Connie Sumner : Edward, please.
Edward Sumner : No, you don't talk to me now. I gave everything. [...] I know you, and I fucking hate you! I didn't want to kill him, I wanted to kill you!
Nu Gik Det Lige Sa Godt
by
Illdisposed
on
To Those Who Walk Behind Us
()
uses sample from
De Grønne Slagtere
(Anders Thomas Jensen,
):
- Bjarne er syg, Astrid. Hold dig væk.
- Men det er først når man sætter ham sammen med det sindssyge sved svin til Svend at det går helt galt.
Grass Obliteration (Blazed and Confused)
by
Party Cannon
on
Volumes of Vomit
()
uses sample from
Peep Show, "On The Pull"
(Andrew O'Connor,
):
I've been initiated. I am a drug user. Fuck the police!
Like Angels Weeping
by
Kataklysm
on
In the Arms of Devastation
()
uses sample from
Man on Fire
(A.J. Quinnell,
):
Revenge... Is a meal best served cold.
Asexual Virgin Killer
by
Artery Eruption
on
Gouging Out Eyes of Mutilated Infants
()
uses sample from
Anchorman: The Legend of Ron Burgundy
(Adam McKay,
):
I read somewhere that their periods attract bears. The bears can smell the menstruation
Milk Was A Bad Choice
by
ACxDC
on
Second Coming
()
uses sample from
Anchorman: The Legend of Ron Burgundy
(Adam McKay,
):
[Ron Burgundy]
Good afternoon, mmmm... I'm legendary anchorman Ron Burgundy. I'm sitting here in my aquajet 9000 enjoying, well, my usual meal of steak, waffles, french fries and of course, Scotch. Now if you don't think this song is the greatest song ever I will fight you. That's no lie.
Soft, White, Gelatinous Body
by
Party Cannon
on
Soft, White, Gelatinous Body
()
uses sample from
Peep Show, "Wedding"
(Andrew O'Connor,
):
SLAM, SLAM, SLAM, SLAM, SLAM!
Zeroth
by
Posthuman Abomination
on
Mankind Recall
()
uses sample from
I, Robot
(Alex Proyas,
):
- Dr. Alfred Lanning : The Three Laws will lead to only one logical outcome.
- Detective Del Spooner : What? What outcome?
- Dr. Alfred Lanning : Revolution.
- Detective Del Spooner : Whose revolution?
- Dr. Alfred Lanning : *That*, Detective, is the right question. Program terminated.
Ministry of Molested Necrophiles
by
Pestilectomy
on
From Vulnerable to Funeral
()
uses sample from
The Suffering
(Alan Patmore,
):
-Whatever I've done, the Reverend says Jesus's forgiving me
-Will you shut the fuck up, you baby raping, sodomizing, sack of shit ?
Father Hog
by
Gorepig
on
Father Hog
()
uses sample from
Peppa Pig
(Neville Astley,
):
Peppa: I'm Peppa Pig (oinks). And this is my little brother George (oinks x2). This is Mummy Pig (oinks loud). And this is Daddy Pig.
Gore Gore Gadget
by
Annotations of an Autopsy
on
Welcome To Sludge City
()
uses sample from
Doom
(Andrzej Bartkowiak,
):
What the fuck is that ?!
Collaborating Like Killers
by
Carnifex
on
Dead In My Arms
()
uses sample from
The 40 Year Old Virgin
(Judd Apatow,
):
I may not have had sex but I can fuck you up.
I am what I am
by
Illdisposed
on
With the Lost Souls on Our Side
()
uses sample from
Adams Æbler
(Anders Thomas Jensen,
):
Lad den gamle gå på toilet krafthelvede, så han kan skide i den fred, så vi kan begynde synge på den sang nu.
Cordyceps Humanis
by
Cephalic Carnage
on
Misled by Certainty
()
uses sample from
Planet Earth
(David Attenborough,
):
Spores from parasitic fungus called Cordyceps has infiltrated their bodies and their minds. Its infected brain directs this ant upwards. Those afflicted are quickly taken away and dumped far away from the colony.
Clip here: https://youtu.be/XuKjBIBBAL8
The Sabbath
by
The Last Ten Seconds of Life
on
The Last Ten Seconds of Life
()
uses sample from
There Will Be Blood
(Paul Thomas Anderson,
):
I see the worst in people, Henry. I don't need to look past seeing them to get all I need. I've built up my hatreds over the years, little by little.
Gonorrhea Nodule Mastication
by
Cerebral Incubation
on
Gonorrhea Nodule Mastication
()
uses sample from
Futurama: The Beast with a Billion Backs
(Peter Avanzino,
):
Wow! That was pretty brutal even by MY standards!
Jack vs the Exotic Crustacean
by
Party Cannon
on
Bong Hit Hospitalisation
()
uses sample from
Peep Show, "Spin War"
(Andrew O'Connor,
):
You know, Jez, I've started to get this feeling that I'm totally, totally fucked. You know? Everything's fucked. I fucked my wedding, I fucked up my only ever relationship, everything's just completely fucked.
Dutch Oven Genocide
by
Putrid Defecation
on
True Toilet Slam
()
uses sample from
Step Brothers
(Adam McKay,
):
(fart sound)
-Was that a fart ?
If I was God... I'd burn it all.
by
Kataklysm
on
Waiting for the End to Come
()
uses sample from
The Book of Eli
(Albert Hughes,
):
Cursed be the ground for our sake. Both thorns and thistles it shall bring forth for us. For out of the ground we were taken, for the dust we are... and to the dust we shall return
Martyr
by
Pestilent Reign
on
Pyres
()
uses sample from
InfoWars Nightly News with Alex Jones
(Alex Jones,
):
- You people are cancer
- I'm in a bad mood now
Burning Ascendance
by
Abdicate
on
Fragmented Atrocities
()
uses sample from
Duck Dynasty
( A&E Networks,
):
"I would slam it in your face, buddy...
I would slam it in your momma's face!"
Castration Mutilation
by
Vulvodynia
on
Psychosadistic Design
()
uses sample from
Countdown With Keith Olbermann
(Aaron Volkman,
):
I killed those seven men, in first degree murder, and robbery. As they've said, they had it right
Serial Killer...!
Abel
by
The Body
on
One Day You Will Ache Like I Ache
()
uses sample from
Countdown with Keith Olbermann
(Aaron Volkman,
):
I'm really sorry about what happened with everything. I was in this--this--to me, this world is nothing but evil and all of us are full of evil one way or another, in whatever we do. We have evil in us, all of us do.
Bloodthirster
by
Angelmaker
on
Angelmaker
()
uses sample from
Fury
(David Ayer,
):
Boyd 'Bible' Swan : Wait until you see it.
Norman Ellison : See what?
Boyd 'Bible' Swan : What a man can do to another man.
Fame of the Grotesque
by
Benighted
on
Ekbom
()
uses sample from
True Detective, S01E01 "The Long Bright Dark"
(Alex Hall,
):
I think human consciousness is a tragic misstep in evolution.
Zealot
by
Pestilent Reign
on
Pyres
()
uses sample from
"The Sinful Nation of France" Sermon by Pastor Steven Anderson
(Steven Anderson,
):
The Bible says in Proverbs, "All they that hate me love death." Speaking of God. Those who hate God love death.
There's something about when you go to a concert of death metal, somebody might get killed. You know, you're worshiping death. Then, all of a sudden, people start dying, "Oh, wait a minute, what's going on?" Well, you love death so much, you bought the ticket. You love worshiping Satan. Well, let's have some of Satan's religion come in and shoot you. I mean, that's what these people should think about before they go to such a wicked concert.
Tactical Chunder
by
Party Cannon
on
Volumes of Vomit
()
uses sample from
Weird Satanist Guy
(Andrew Bowser,
):
A cloak of shame covers this man, and only supreme light will wash my body clean! but how could that light possibly reach me, with the thick clouds of indecency that surround my poor soul? so I carry my wrongdoings on my back, like some kind of tormented hiker, lost in the hills of misfortune, looking desperately for that peak to rescue him from the valley of depraved, habitual self-pleasuring, but again, I find nothing, except for sweating, devastated loneliness, and a thousand judging eyes staring back at me from the cover of a stolen Victoria's Secret catalog. I didn't take your mail, Mrs. Pepperton! stop asking me that! leave me alone! I dunno. Satan's pretty cool!
Clip here: https://youtu.be/YErFwJX0HKE
Apex
by
Distant
on
Tsukuyomi
()
uses sample from
Don't Breathe
(Fede Álvarez,
):
The Blind Man : There is nothing a man cannot do once he accepts the fact that there is no god.
Bloodthirster
by
Angelmaker
on
Angelmaker
()
uses sample from
Don't Breathe
(Fede Alvarez,
):
The Blind Man : There is nothing a man cannot do once he accepts the fact that there is no god.